Hong Kong Arts Festival’s Dream of the Red Chamber opera accentuates the love story at its heart /  by David Hwang

Bao Yu (tenor Yijie Shi) and Dai Yu (soprano Pureum Jo) in a scene from Dream of the Red Chamber, staged by San Francisco Opera in a co-production with Hong Kong Arts Festival. Photo: Cory Weaver

Bao Yu (tenor Yijie Shi) and Dai Yu (soprano Pureum Jo) in a scene from Dream of the Red Chamber, staged by San Francisco Opera in a co-production with Hong Kong Arts Festival. Photo: Cory Weaver

Dream of the Red Chamber – the popular 18th-century Chinese literary classic written by Cao Xueqin – has been told and retold through so many media and art forms that any trip down this well-trodden path risks banality and predictability.

But that has not stopped the San Francisco Opera from adapting this romantic, political tale, which follows the fortunes of several aristocratic families in Qing dynasty China. For its general director, David Gockley, it’s high time Western audiences get to know this masterpiece. No expense was spared in forming a dream team of artistic collaborators and star singers, or in crafting elaborate sets and costumes.

Read more at South China Morning Post

Los Altos Stage Company Presents YELLOW FACE /  by David Hwang

Fresh off its production of the Obie Award-winning Circle Mirror Transformation, Los Altos Stage Company lines up another Obie recipient (2008 for playwriting) with David Henry Hwang's Yellow Face. Yellow Face opens January 26 and runs through February 19 at the Bus Barn Theater in Los Altos.

Read more at Broadway.com

The Brooklyn Hospital Center seeks state grant to expand local award-winning care /  by David Hwang

From left: The Brooklyn Hospital Center VP John Gupta, Senior VP Katherine Schleider, Senior VP Joan Carney-Clark, CEO Gary Terrinoni, Emergency Department Clinical Chair Dr. Sylvie De Souza, Laurie Cumbo, Walter T. Mosley, Joseph Lentol, Jo Anne Si…

From left: The Brooklyn Hospital Center VP John Gupta, Senior VP Katherine Schleider, Senior VP Joan Carney-Clark, CEO Gary Terrinoni, Emergency Department Clinical Chair Dr. Sylvie De Souza, Laurie Cumbo, Walter T. Mosley, Joseph Lentol, Jo Anne Simon, Chief of Patient Safety and Quality Officer Dr. Vasantha Kondamudi, Chief Nursing Executive Mary Ann Healy-Rodriquez, Dr. Loretta Patton-Greenidge and one-time TBHC patient David Henry Hwang.

“This is a critical time for The Brooklyn Hospital Center,” CEO Gary Terrinoni explained to a panel that included New York state Assemblymembers Joseph Lentol, Walter T. Mosley and Jo Anne Simon, as well as New York City Councilmember Laurie Cumbo and noted screenwriter David Henry Hwang, who had been a patient at TBHC.

Read more at the Brooklyn Daily Eagle

INTERVIEW: Randy Reyes on Flower Drum Song, Mu, and More /  by David Hwang

A scene from Mu Performing Arts’ 2008 production of Flower Drum Song. Photo by Michal Daniel.

A scene from Mu Performing Arts’ 2008 production of Flower Drum Song. Photo by Michal Daniel.

"You’re doing Flower Drum Song with the 2002 book by David Henry Hwang, which bears very little resemblance to the original besides the score and character names. What makes this version of the musical so attractive? 

In this version of FDS, David Henry Hwang explores the tension that immigrant communities have between holding on to your cultural identity and assimilating to American culture and how that tension plays out between the generations.  This is explored from the perspective of art and entertainment.  The father is holding onto his Chinese Opera roots while the son wants to run a western-style nightclub."

Read the full interview at Twin City Arts

DHH writes: THE AFFAIR: Noah Solloway and Me /  by David Hwang

"About a year ago, I was stabbed in the neck by an unknown assailant, who severed my vertebral artery. If the police ever catch the culprit in what appears to be a random attack, they intend to charge him or her with attempted murder. That night, I had been headed home to watch an episode of the TV series THE AFFAIR which I co-wrote. Needless to say, I didn’t end up getting to see the show."

Read more at YOMYOMF

David Henry Hwang contributes to ‘Every 28 Hours’ festival /  by David Hwang

A previous production of “Every 28 Hours,” performed at Trinity Repertory Company in Rhode Island. Photo by Erin X. Smithers, courtesy The Boston Globe

In  ‘Every 28 Hours’ festival, playwrights explore racial tensions in one-minute bursts.

Among the dozens of playwrights represented are Greenidge, Tarell Alvin McCraney, Kristoffer Diaz, Neil LaBute, Lynn Nottage, David Henry Hwang, Idris Goodwin, and Robert Schenkkan. The plays capture the perspectives of black youth confronted with police bias; the suffering and fears of black mothers; the hopes and frustrations of protesters on the front line; and the historical perspective of racial injustice. There’s even a short about a police officer having to make a split-second decision between life and death. For the Boston edition, Theater Offensive is contributing five additional gay and lesbian-themed plays.

Read more at the Boston Globe

Chinglish comes to London /  by David Hwang

Photo by Lia Chang

The European Premiere of Chinglish by David Henry Hwang will run at the Park Theatre in London, from 22 March to 22 April 2017. The production will be directed by Andrew Keates.

Read more at London Theatre.

New Play by David Henry Hwang Set for Theatre for One /  by David Hwang

A new play by David Henry Hwang is set for the latest edition of Christine Jones' Theatre For One.(photo  © David Gordon)

Nine short plays by the resident dramatists of Signature Theatre will be included in the latest edition of Theatre for One, titled In This Moment. Directed by Christine Jones, Theatre for One will be presented for free November 2-21 in the lobby at the Pershing Square Signature Center.

Read more at TheatreMania.com

Dream of the Red Chamber opens at the San Francisco Opera /  by David Hwang

Remembering Gene Wilder /  by David Hwang

David Henry Hwang reflects on his time working with Gene Wilder in a guest post on Angry Asian Man.

"It is generally known that the lead roles in the play for which I'm best known, M. Butterfly, were originated by two amazing actors, John Lithgow and B.D. Wong. They blessed my work with their iconic performances on Broadway in 1988. However, my play might have had quite a different trajectory. Originally cast in the Lithgow role was another legendary actor, whose death was announced earlier today: Gene Wilder."

Read the whole post at AngryAsianMan.com

How ‘Dream of the Red Chamber’ became an opera /  by David Hwang

Photo: Lea Suzuki, The Chronicle

For a writer who has done everything from mining an operatic masterpiece ( his 1988 Tony Award-winning drama “M. Butterfly”) to refashioning a problematic Broadway musical (“Flower Drum Song”) to devising the cross-cultural linguistic tangle of “Chinglish,” an offer to write the libretto for a “Dream of the Red Chamber” opera would seem too good to pass up.

Read more at The San Fransisco Chronicle

David Henry Hwang Named Chair of the American Theater Wing /  by David Hwang

Photo by Lia Chang

Playwright David Henry Hwang will succeed costume designer William Ivey Long as the chair of the American Theater Wing, the not-for-profit theater development organization that founded the Tony Awards.

Read more at Playbill.com

Read more at Variety

San Francisco Opera Presents World Premiere of DREAM OF THE RED CHAMBER, Sept. 10-29 /  by David Hwang

San Francisco Opera presents the world premiere of Chinese-American composer Bright Sheng’s Dream of the Red Chamber, with a libretto by the composer and David Henry Hwang, in six performances from September 10–29, 2016. Read more

Interview with Asian CineVision /  by David Hwang

DAVID HENRY HWANG ON THE DANCE AND THE RAILROAD /  by David Hwang

On a California mountaintop in 1867 near the Transcontinental Railroad, two Chinese workers struggle through poverty and hunger to reconnect with the traditions of their homeland. THE DANCE AND THE RAILROAD follows the twice-extended GOLDEN CHILD as the second production in the Residency One: David Henry Hwang Series.

Screenwrite and theatre /  by David Hwang

 

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