The Flashpaper: Theatre’s Thoughts on Right Now

David Henry Hwang and More Featured in 'The Flashpaper: Theatre's Thoughts on Right Now' by David Hwang

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Arts journalist and editor Mark Blankenship announced the debut of The Flashpaper: Theatre's Thoughts on Right Now, a new journal dedicated to the urgent ideas of contemporary theater artists. Each issue of this print-only publication features original content created in response to a timely prompt from a diverse group of artists working in a variety of forms. Contributions can take shape in any printable form including playscripts, comics, essays, photo diaries, and more. Utilizing the speed of on-demand printing and an innovative approach to editing, each issue of The Flashpaper can be conceived, written, and produced within six weeks. The first issue of The Flashpaper is currently on sale at theflashpaper.com.

What Will It Be Like When Social Distancing Ends? is the prompt for the debut issue.

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About Alice, or When Social Distancing Ends by David Hwang

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In this excerpt from a new journal by theatre artists, the author recounts how she confronted racism in a loved one with more love.

The Flashpaper: Theatre’s Thoughts on Right Now is a new, print-only journal that lets theatre artists respond to urgent current events in any genre they choose. In the first issue, available now at TheFlashpaper.com, a dozen contributors have replied to the prompt, “What will it be like when social distancing ends?” with everything from original plays and manifestos to photo essays and hand-drawn comics. The point is to give theatremakers a platform that doesn’t require a theatre, while delivering a physical object to audiences.

Crucially, The Flashpaper is also a revenue source for artists. All proceeds go to the contributors, the journal’s two self-employed staffers, and the nonprofit Indie Theater Fund. Issue 1 features work from Clare Barron, the National Asian American Theatre Company, and the Living Theatre, among others. It includes a foreword from David Henry Hwang and an afterword from Sarah Treem. It also features the following essay from Kelley Nicole Girod, who is both a playwright and the founder of the Obie-winning The Fire This Time Festival. Below, in an online-exclusive sample, Girod explores how social distancing, racial justice, family, and forgiveness have intersected in her life during quarantine.

Read more at American Theatre