John Lone

The House of Sleeping Beauties by David Hwang

Natsuko Ohama, Ching Valdes-Aran, John Lone, Elizabeth Sung, Victor Wong, and DHH. Photo by Martha Swope.

Natsuko Ohama, Ching Valdes-Aran, John Lone, Elizabeth Sung, Victor Wong, and DHH. Photo by Martha Swope.

The House of Sleeping Beauties is an adaptation of the novella by Nobel Prize winning author Yasunari Kawabata. An elderly man visits a unique brothel filled with sleeping young women. The customers are permitted only to sleep, but not have sex, with the girls, as they fantasize about what it was like to be young.

The House of Sleeping Beauties premiered at the Public Theater in 1983, directed by John Lone with Lenore Kletter.

 

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The Sound of a Voice by David Hwang

Masanari Kawahara and Maria Chen in Mu Performing Arts, 1996

Masanari Kawahara and Maria Chen in Mu Performing Arts, 1996

Inspired by Japanese ghost stories, The Sound of a Voice tells of a lone samurai warrior who goes into the woods to kill a woman rumored to be a witch, but ends up falling in love with her instead.

The Sound of a Voice premiered at the Public Theater in 1983, directed by John Lone with Lenore Kletter.

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The Dance and the Railroad by David Hwang

William Yuekun Wu and Ruy Iskandar. Photo by Joan Marcus for Signature Theatre, 2013

William Yuekun Wu and Ruy Iskandar. Photo by Joan Marcus for Signature Theatre, 2013

Set against the backdrop of the Chinese American railroad workers’ strike of 1867, The Dance and the Railroad rejects the stereotype of submissive immigrant laborers, and depicts assertive men who demanded their rights despite great personal risk. The play compares the optimistic and idealistic Ma to the pragmatic and independent Lone, and juxtaposes the hard labor of working on the railroad with the dream to practice traditional Chinese Opera.

The Dance and the Railroad premiered at the New Federal Theatre in 1981, directed by John Lone, before moving to the Public Theater, and received a 1982 Drama Desk Nomination for Best New Play. It was revived at Signature Theatre in 2013, directed by May Adrales, in a production which received its Chinese premiere at the Wuzhen Festival later that year.


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Photos from the 2013 revival at Signature Theatre. Photos by Joan Marcus.

Photos from the 1981 production at the Public Theatre. Photos by Martha Swope.